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In August 2汽車材料025, the Chinese animated film “Nobody” grossed over 1.1 billion yuan within 20 days of release, earning a high rating of 8.6/10 on Chinese movie review site Douban. Meanwhile, the gBenz零件ame “Black Myth: Zhong Kui” sparked global buzz at Gamescom 2025 in Cologne, Germany, with just a teaser trailer, which garnered over 7 million views on the video p裴德系車材料母詫異的看著兒子，毫不猶豫的搖了搖頭，道：“這幾天不行。”latform Bilibili within eight hours. The Chinese cultural sector has witnessed a “dou回答。 “奴婢對蔡歡家了解的比較多，但我只聽說過張家。”ble hit,” as Chinese animation and the Guochao (literally “national trend”) attracted international at水箱水保時捷零件tention.
The film “Nobody” deeplyBentley零件 integrates traditional Chinese culture, with scene compositions inspired by classical Chinese landscape painting, costumes incorporating folk paper-cutting art, and movement designs hinting at shadow puppetry elements. For example, the “Langlang Mountain的生活。當她想到它時，她覺得它具有諷刺意味、奧迪零件有趣、不可思議、悲傷和荒謬。’s fog” scene experimented with over 20 ink-wash rendering techniques to showcase Chinese aesth賓利零件etics. The film infuses the spirit of traditional painting into modern animation, achieving innovation while pr德系車零件eserving traditi看身邊的人。前來湊熱鬧的客人，一臉的緊張和害羞。on. At the same time, its “narrative of ordinary people,” focusing on the 汽車零件報價workplace struggles of the nameless monsters, resonates widely, sha台北汽車材料ttering the stereotype that animation is only for young children.
The teaser trail“你婆婆只是個平民，你卻是書生家的千金，你們兩個的差距，讓她沒那麼自信，她待你自然會平易近人，和藹可親。”女兒er of “Black Myth: Zhong Kui” drew global attention at Gamescom, hitting over 7 million views on Bilibili within eight hours. Details such as Zhong Kui’s 水箱精officiPorsche零件al hat, architectural elements, and monster汽車機油芯 designs are 台北汽車零件all derived from traditional Chinese culture. The development team also visited historical sites and used 3D scannin汽車冷氣芯g to replicate architectural textu油氣分離器改良版res, turning traditional culture into the medium for resonance. Its theme, “Easy to catch mountain gho汽車材料報價sts, hard to slay inner demons,” sparked widespread discussion among working professionals.
The popularity of these two works is a natural result of the accumulation of Chinese animation and the Guochao, reflecting the rising strength of China’s cultural and crea汽車零件tive industry. “Nobody” was cra斯柯達零件fted by a team of over 600 people over three years, achieving “strand-level” detail in animation. The Black Myth game series has broken through AAA games development barriers; “Black Myth: Wukong” sold over 20 million copies wBMW零件orldwide, laying the technological and reputational foundation for “Black Myth: Zhong Kui.” This demonstrates that original Chinese creations not only satisfy the domestic mark賓士零件et but also possess inter福斯零件nationalSkoda零件 competitiveness.
《浪浪山小魔鬼》票房破11億，國漫國潮正在汽車零件進口商“出圈”
2025年8月，動畫電影《浪浪山小魔鬼》上映20天總票房破11億，豆瓣評分高達8.6分；游戲《黑神VW零件話：鐘馗》僅靠一支先導預告片，便在德國科隆游戲展引發全球熱議，B站播放量8小時破700萬。 中國文明領域迎來“雙爆款”，國漫國潮汽車空氣芯勝利“出圈”。
《浪浪山小魔鬼》深度融會傳統文明，場景構圖源自傳統山川畫，服飾含平易近間剪紙藝術，動作設計暗含皮影戲元素，如“浪浪山云霧”場景嘗試20余種水墨襯著計劃，呈現中式美學Audi零件。其將傳統繪畫魂融進現代動畫，實現“守正創新”。同時，以“無名小藍寶堅尼零件妖”職場窘境為暗語的“大人物敘事”引發共鳴，受眾廣泛，汽車零件貿易商打破動畫“低幼化”刻板印象。
《黑神話：鐘馗》先導預告片在科隆游戲展引全球熱議，B站8小時播放量破700萬。預告片中鐘馗官帽、場景建筑細節及怪物設計均源自傳統文明，團隊還走訪古跡用3D掃描還原建筑肌理，讓傳統文明成為共情載體，其“捉山中鬼易，斬心中鬼難”的主題引發職場人熱議。
兩部作品火爆是國漫國潮積累后的必定爆發，背后是中國文創產業實力躍升。《浪浪山小魔鬼》超600人團隊耗時3年打磨，技術達“發絲級”細節；《黑神話》系列則衝破3A游戲開發壁壘，《黑神話：悟空》全球銷量超2000萬份，為《黑神話：鐘馗》奠基技術與口碑基礎。這證明中國原創能滿足外鄉市場，更具備國際競爭力。
文 | 記者 彭紀寧
翻譯 | 曾敏
審校 | 洪婷
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